Showing Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) by Jay A. Clarke
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Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work 'The Scream' (1893) suggests, and he was radically independent, following his own singular vision. This title persuasively challenges these entrenched perceptions.
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