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Middle of Nowhere

A brutal attack that leaves a young woman paralysed is horrifying enough , but when it happens to one of Seattle police lieutenant Lou Boldt's own officers, and all the suspects wear the same uniform as the victim, it's much worse. The SPD has been struck by a not-very-mysterious case of the "blue flu", a labour dispute that's turned cop against cop. Frustrated by the work slowdown in the department, Boldt is working almost on his own, except for forensic psychologist Daphne Matthews and detective John LaMoia, familiar characters in Pearson's popular series (The Pied Piper, The First Victim). Despite not-so-veiled warnings from some of his colleagues, Lou is determined to unmask Maria Sanchez's attacker, even if it turns out to be a fellow cop. And if that's not enough, the piano-playing lieutenant with a devoted wife--and a lingering yen for his coworker Daphne--has to deal with a crime wave that's increasing every day as the blue flu fells more of the force. Investigating a string of robberies, Lou and Daphne follow the evidence to a telemarketing operation in a Colorado prison and question an inmate who may have used inside information to set up the robberies for his brother in Seattle to carry out. When the inmate dies, his brother goes after Lou, who isn't sure who to blame when violence hits too close to home--the brother or the striking policemen. Middle of Nowhere isn't Pearson's best outing: the plot is thinner than usual and the pacing somewhat slower, although the detailed explanation of how to catch a criminal using new telecommunications technology is fascinating. Still, Lou Boldt is an always interesting character whose inner conflicts are well drawn and whose essential decency makes up for a lot. His understated romance with Daphne deepens in every new adventure; the real mystery is what's going to happen to the two of them. --Jane Adams

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