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Eating at Arby's: The South Florida Stories

"In EATING AT ARBY'S...Grayson has mastered, or invented, a style equidistant between Hemingway's short stories and Dick and Jane."
- New York Times Book Review

"EATNG AT ARBY'S humorously explores the lives of two Southern Florida residents, Manny and Zelda, through a series of Dick and Jane-style stories. For Manny and Zelda, a trip to a mall becomes an analysis of the wastefulness of the middle classes, a visit to the chiropractor, and an examination of race relations. What sometimes seem like stand-up routines on the outset reveal stories about the deep struggles of creativity and identity in the late twentieth century."
- Hipster Book Club

"In this short collection, Richard Grayson has found a style of daffy unreality to make his experience of anomie in South Florida. In one-page vignettes, he writes of such diverse subjects as Haitian refugees, Cubans, Blacks, gays, “crackers,” old people, and the proliferation of malls, guns and Colombian dope through the eyes of a Looney Tunes duo, Manny and Zelda. They and their friends talk in Dick and Jane sentences about these subjects. Always they react with zany blankness, sometimes with hilarious 'logic'..."
- Gargoyle Magazine

"EATING AT ARBY'S hilariously relates the primitive, childlike conversations of Zelda and Manny, an old Jewish married couple who relentlessly praise their South Florida home, their sunny dispositions desperately but never quite disguising many dark undercurrents - suffocating heat, racial tension, drug trafficking, murder - to life in the Sunshine State."
- PeteLit

"It has always been my feeling that the best writers are linguists within their native tongue. They are able to bend and use every subtlety, nuance and tick of the language they were born to. This is certainly true of Richard Grayson in EATING AT ARBY'S. In these tastefully wicked and funny tales, he combines the metre and sound of a first-grade reader to strip the pretensions of brain-bleaching vacationland mania and moronizing addlepated materialism. Imagine a writer able to do all that while you're laughing your cojones off!

Try to visualize if you will, Mr. Rogers scoring in Needle Park or Big Bird standing on Pacific Street looking for a trick. That's vaguely what Manny and Zelda are like. They remind us of the children and drunks God watches over as they stumble into every horror Miami has to offer, their innocence and ignorance unscathed."
- Brooklyn Literary Review

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