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The Irish Story: Telling Tales and Making It Up in Ireland

No historian has done more to unravel, question and undermine Irish nationalist historiography than Roy Foster, award-winning biographer of WB Yeats. His revisionism will now be refuelled with the The Irish Story. It is often said that the Irish know too much history, as opposed to too little; or rather they know too much one-sided history. Mythical versions of conflict in the past have a nasty habit of getting in the way of peace and reconciliation in the present. In a dozen separate studies, most of which began life as reviews and lectures, Foster mounts a further onslaught on the morose and partisan manner in which the Irish past (especially that of the Republic) continues to be memorialised. He surveys popular histories, the emergence of professional Irish historiography, historical theme-parks (the macabre phenomenon of "faminism"), Angela's Ashes, Gerry Adams' autobiography and the recent commemoration of the 1798 rising. Throughout he offers an elegant and forceful corrective to those who seek to locate Ireland within a simplistic narrative of exploitation and suffering. A good deal of the book is devoted to Yeats and there are essays on Trollope, Elizabeth Bowen and Hubert Butler too--all writers for whom Ireland and England were not opposite poles, but sites of complex identity and inspiration. This leaves one wondering where Roy Foster himself sits--like Yeats, on the border, "advantaged by the duality of the emigrant existence"--or simply on the fence, enjoying the age-old academic sport of debunking? In a book devoted to invented traditions and the politics of memory the author has left himself out of the story. --Miles Taylor

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Ireland (2,156)